Three cheers to Navona Records for capturing these performances and sending them out into the world…[In “Yedid Nefesh”], Cohen’s imagination, sense of balance and contrast are expertly employed, making this work a truly cohesive whole and the highlight of the recording. “Grneta Variations” continues to demonstrate just how good Cohen is at taking a germ of an idea and expanding it into a varied, logical journey into fine art and personal meaning.
babysue
This impeccably recorded album features music that is smart, reflective, pensive, and ultimately very melodic. Cohen is obviously a man who loves making music and his passion shines through clearly on each and every track. This one will most certainly stand the test of time.
Gapplegate Classical-Modern Music Review
Cohen’s music is filled with vibrant melody, rhythmic clarity, drive and compositional construction that show a mastery of and a real sympathy towards the clarinet…This is a sheer delight to hear, a chocolate-fudge sundae of excellently intertwining musical syntax. Three cheers for this one.
Sequenza 21
The playing, by the Grneta Ensemble (clarinetists Vasko Dukovski and Ismail Lumanovski and pianist Alexandra Joan) with violinist Jennifer Choi and violist Maria Lambros, is outstanding–one of the virtues of Cohen’s music is how well the instruments sound and how flattering it is to the players. Navona’s recorded sound is lucid and warm. Most listeners will find something to like here, and more than a few clarinetists will find something they will want to play.
New Music Connoisseur
By Joel Mandelbaum
Steal a Pencil for Me, an opera by Gerald Cohen to a libretto by Deborah Brevoort, was presented on April 30th, 2013 at the Jewish Theological Seminary in New York in a semi-staged version, accompanied by an ensemble of four instruments. It tells the fascinating story, true to life down to very particular details, of how two remarkable Holocaust survivors met, fell in love and gradually divested themselves of previous binding relationships—their stories unfolding over a background of increasingly harsh repression by the Nazi occupiers of their native Holland…
January 2014 Showcase at Opera America
Based on the book of the same title by Jaap Polak and Ina Soep Polak, STEAL A PENCIL FOR ME is a new opera with music by Gerald Cohen and libretto by Deborah Brevoort. A private presentation of excerpts from Steal a Pencil for Me took place at the National Opera Center (at the home of […]
The Scarsdale Inquirer
Review of “Steal a Pencil for Me” Scarsdale Inquirer, May 10, 2013 by Andrea Kurtz For many years, Gerald Cohen, the cantor at Shaarei Tikvah Congregation in Scarsdale, wanted to write an opera about the Holocaust. In the interim, he’d composed a two-act opera about Sarah and Hagar and a shorter one about a post-apocalyptic […]
Lucid Culture
A Holocaust Story with a Happy Ending? Lucid Culture Blog It’s a story straight out of Hollywood, except that it’s true. Jaap Polak survived the Nazi death camps with his wife and his girlfriend – barely. Tuesday night at the Jewish Theological Seminary auditorium, their improbable story was brought to life in chilling detail in […]
The Louisville Courier-Journal
by Andrew Adler For Frank A. Heller III, every concert describes a small journey of inner space. Voces Novae, the chorus he trains and nurtures season after season, looks first to the spirit present within each of its singers, and by extension his audiences. It’s no exaggeration to call Heller’s perspective a pan-theistic, summoning faiths […]
The Pittsburgh Post-Gazette
by Eric Haines Hebrew liturgy provides blessings for every major event in the Jewish life cycle. Blessings for children, weddings, the Kaddish, the Kol Nidre and the Song of Solomon have inspired composers to write works that deserve a place on the concert stage. The Pittsburgh Jewish Music Festival ended its three-concert season on Tuesday […]