My newest album ‘Voyagers‘ has been out in the universe for about three months now, and it’s been getting some wonderful coverage. I’ve also had the pleasure of sitting down with David Osenberg, WWFM’s Music Director and Host of award-winning Cadenza to talk about ‘Voyagers’ and my artistic life. Reviews: Musical Voyages, Review by ‘All […]

As a composer of vocal music—opera, choral, solo—I am always on the prowl for texts for vocal works and for stories which have potential as operas. Very often, as I read a novel or hear some fascinating true tale, my “operatic mind” starts imagining what the story would be like on stage with music, thinking about both the creative aspects (what opportunities are there for cool vocal ensembles in this story?) and practical ones (would this need too huge a cast to make it work as an opera?). There are such a variety of types of stories that could conceivably be transformed by composers and librettists when creating an opera; many recent operas have been based on well-known movies or novels, or on recent events in history. But sometimes a riveting plot for a dramatic work can be found in the stories of the people in one’s own life—and the close personal connections in such stories can be significant in generating the emotional energy needed to create and present a new opera…

The world premiere of Steal a Pencil for Me opens this Thursday evening—and few people know better than Opera Colorado Music Director Ari Pelto the long and exciting process of getting this new opera ready for the stage. Over the past five years, he’s spent countless hours working through the piece with composer Gerald Cohen and librettist Deborah Brevoort, then working with stage director Omer Ben Seadia and her creative team as they got the production ready. And now, after a breakneck rehearsal schedule over the past month, Pelto is thrilled for Opera Colorado audiences who are just days away from experiencing the beautiful music and powerful message of Steal a Pencil for Me. Today we check in with Pelto about his experiences with this opera…